Each year creative world has something exciting to offer for all those who like catching up with the most popular, new, innovative or/and game changing in the ART and DESIGN world. More and more often these two are intertwined, where diverse projects are more and more popular. When we would like to reminiscence what the creative XX century was about, with all the artsy, modern ART, designer or/and performance genre, we can find yesterday's ''culture flashbacks'' in all what the XXI century is thriving with in its transformation of communicative images, symbols and interdisciplinary content.
This year museum trends as well as graphic trends experiment with innovative digital content in line with tradition is something we still are engaging with, something that will always be part of the creative dialogue in the ongoing process of artistic world, where artists of different kinds inspire each other for the new, something that has been celebrated for centuries till this day.
So, what is so special in today's creative world, that can be seen as the key to the future of work?
I think, that Esthetics of the past century is not only engaging with the imagination of present embodiment of culture dialogue because of its indispensable artists and their legacy, but also because of the transformed perception of trending contemporary creativity enthusiasts, enacting perceived content into the shared creative culture. Each new art viewer brings in new interpretation, and let's not forget that artists, creatives, designers and creative thinkers are not only the viewers, but also and foremost the re-creators of the perceived and lived through content in question. Certain style of communicating via creativity as the core of the creative work changes with new interpretations, new additions to the already created content, new inspirations, lived experiences and all what can be evaluated as the original work.
What then ''the NEW'' can draw from ''the OLD'' when there are so many culture clashes in content perception?
According to Ethics of autonomic thinking - and all to do with individual creative venture - it is the very embodied and emergent creative knowledge that gives the external inspiration to cognize certain creative work. The question is: Do we perceive what we decide to notice, or do we notice what we cannot dismiss from our already culturally embodied mind? The answer is not so obvious as we perceive, notice, choose to cognize and already have something in mind with many different culture stereotypes. The cliche about creative perception is still about our ignorance, and yet the artistic ignorance in line with artistic expertise can give very different results when it comes to art evaluation. When we know more about art and creative world we tend to elaborate with symbols, key words, names and all what is out of reach for total creative ignorant viewers or/and observers of the very same creative content. Living through esthetic experiences with the expertise knowledge of the art world is much different from those enacted via pure ''tabula rasa'' of the ''know what'' creative interpreter. In short, we see different things when we look at the same work of ART. Bringing ''the NEW'' from ''the OLD'' enables fresh content with a slight taste of what has nearly gone but is still present in some angles of the fresh creative phenomenal dynamics.
------------- and what about inter-clashes between genres that create more space for open minded enactive embodiment of the creative experience ... like for example ''holo dancing'' designed with the most trending technology in the world? ;)
Let's imagine what more can be added as a future of creative and innovative work in the embodiment of today's re-enaction in CREATIVE minds, that co-relate, co-participate and co-create the very new each and every single day...
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